“Your men on the beach,” said I; “what race are they?”

“Excellent fellows, aren’t they?” said he, absentmindedly, knitting his brows as the animal yelled out sharply.

I said no more. There was another outcry worse than the former. He looked at me with his dull grey eyes, and then took some more whiskey. He tried to draw me into a discussion about alcohol, professing to have saved my life with it. He seemed anxious to lay stress on the fact that I owed my life to him. I answered him distractedly.

Presently our meal came to an end; the misshapen monster with the pointed ears cleared the remains away, and Montgomery left me alone in the room again. All the time he had been in a state of ill-concealed irritation at the noise of the vivisected puma. He had spoken of his odd want of nerve, and left me to the obvious application.

I found myself that the cries were singularly irritating, and they grew in depth and intensity as the afternoon wore on. They were painful at first, but their constant resurgence at last altogether upset my balance. I flung aside a crib of Horace I had been reading, and began to clench my fists, to bite my lips, and to pace the room. Presently I got to stopping my ears with my fingers.

The emotional appeal of those yells grew upon me steadily, grew at last to such an exquisite expression of of suffering that I could stand it in that confined room no longer. I stepped out of the door into the slumberous heat of the late afternoon, and walking past the main entrance — locked again, I noticed — turned the corner of the wall

The crying sounded even louder out of doors. It was as if all the pain in the world had found a voice. Yet had I known such pain was in the next room, and had it been dumb, I believe — I have thought since — I could have stood it well enough. It is when suffering finds a voice and sets our nerves quivering that this pity comes troubling us. But in spite of the brilliant sunlight and the green fans of the trees waving in the soothing sea-breeze, the world was a confusion, blurred with drifting black and red phantasms, until I was out of earshot of the house in the chequered wall.

I STRODE through the undergrowth that clothed the ridge behind the house, scarcely heeding whither I went; passed on through the shadow of a thick cluster of straight-stemmed trees beyond it, and so presently found myself some way on the other side of the ridge, and descending towards a streamlet that ran through a narrow valley. I paused and listened. The distance I had come, or the intervening masses of thicket, deadened any sound that might be coming from the enclosure. The air was still. Then with a rustle a rabbit emerged, and went scampering up the slope before me. I hesitated, and sat down in the edge of the shade.

The place was a pleasant one. The rivulet was hidden by the luxuriant vegetation of the banks save at one point, where I caught a triangular patch of its glittering water. On the farther side I saw through a bluish haze a tangle of trees and creepers, and above these again the luminous blue of the sky. Here and there a splash of white or crimson marked the blooming of some trailing epiphyte. I let my eyes wander over this scene for a while, and then began to turn over in my mind again the strange peculiarities of Montgomery’s man. But it was too hot to think elaborately, and presently I fell into a tranquil state midway between dozing and waking.

“Tut-tut,” said Mr. Utterson.

“I see you feel as I do,” said Mr. Enfield. “Yes, it’s a bad story. For my man was a fellow that nobody could have to do with, a really damnable man; and the person that drew the cheque is the very pink of the proprieties, celebrated too, and (what makes it worse) one of your fellows who do what they call good. Black-mail, I suppose; an honest man paying through the nose for some of the capers of his youth. Black-Mail House is what I call that place with the door, in consequence. Though even that, you know, is far from explaining all,” he added, and with the words fell into a vein of musing.

From this he was recalled by Mr. Utterson asking rather suddenly: “And you don’t know if the drawer of the cheque lives there?”

“A likely place, isn’t it?” returned Mr. Enfield. “But I happen to have noticed his address; he lives in some square or other.”

“And you never asked about the — place with the door?” said Mr. Utterson.

“No, sir: I had a delicacy,” was the reply. “I feel very strongly about putting questions; it partakes too much of the style of the day of judgment. You start a question, and it’s like starting a stone. You sit quietly on the top of a hill; and away the stone goes, starting others; and presently some bland old bird (the last you would have thought of) is knocked on the head in his own back-garden and the family have to change their name. No, sir, I make it a rule of mine: the more it looks like Queer Street, the less I ask.”

“A very good rule, too,” said the lawyer.

“But I have studied the place for myself,” continued Mr. Enfield.” It seems scarcely a house. There is no other door, and nobody goes in or out of that one but, once in a great while, the gentleman of my adventure. There are three windows looking on the court on the first floor; none below; the windows are always shut but they’re clean. And then there is a chimney which is generally smoking; so somebody must live there. And yet it’s not so sure; for the buildings are so packed together about that court, that it’s hard to say where one ends and another begins.”

The pair walked on again for a while in silence; and then, “Enfield,” said Mr. Utterson, “that’s a good rule of yours.”

“Yes, I think it is,” returned Enfield.

“But for all that,” continued the lawyer, “there’s one point I want to ask: I want to ask the name of that man who walked over the child.”

“Well,” said Mr. Enfield, “I can’t see what harm it would do. It was a man of the name of Hyde.”

“H’m,” said Mr. Utterson. “What sort of a man is he to see?”

“He is not easy to describe. There is something wrong with his appearance; something displeasing, something downright detestable. I never saw a man I so disliked, and yet I scarce know why. He must be deformed somewhere; he gives a strong feeling of deformity, although I couldn’t specify the point. He’s an extraordinary-looking man, and yet I really can name nothing out of the way. No, sir; I can make no hand of it; I can’t describe him. And it’s not want of memory; for I declare I can see him this moment.”